Gutai: decentering modernism

Decentering originality

Originality and transnational modernism in the Taishō era: Yoshihara's formative years

Gutai strategies of originality

Originality, individualism, and subjective autonomy

The interpoetics of distance

Translation: decentering Jackson Pollock

Recontextualization: Nengajō and Gutai mail art

Quantization: Gutai portables

Lines of flight: the Gutai journal

Yoshihara's postwar internationalism and the Gutai journal

American correspondences

European correspondences

The politics of geography and Gutai exhibitions

Tokyo/Ashiya/Osaka, 1955-1958

New York, 1958

Turin, 1959

International contemporaneity and Gutai exhibitions

Osaka, 1962

Amsterdam, 1965

Paris, 1965

New directions in Gutai exhibitions

15th Gutai art exhibition, 1965

Gutai art for the space age, 1967

Expo '70

Conclusion: Gutai's decentering legacies.