Introduction, gazing down from Cap Diamant, Cather's Canadian and old world connections / Michael A. Peterman and Robert Thacker
Willa Cather's Canada, the border as fiction / David Stouck
Where is Cather's Quebec? Anthropological modernism in "Shadows on the rock" / Richard Millington
The hidden french in Willa Cather's english / Francoise Palleau-Papin
Willa Cather and Pierre Charron on wisdom, the skepitcal philosophy of "Shadows on the rock" / Richard C. Harris
Losing nothing, comprehending everything, learning to read both the old world and the new in "Death comes for the Archbishop / Deborah Lindsay Williams
The hero within, heroic archetypes in "Shadow on the rock" / Ann Moseley
Willa Cather, reading the writer through biographies and memoirs / Helen M. Buss
Bringing outland inland i "The professor's house" Willa Cather's domestication of empire / Deborah Karush
Cather's copy of "Death comes for the Archbishop" Charles W. Mignon
Willa Cather's "one of ours and the iconography of remembrance /
Willa Cather's condition, disease, doctors, and diagnoses as social action / Nadeane Trowse
The professor's house, prohibition, ripe grapes and Euripides / Klaus P. Stich
Something soft and wild and free, Willa Cather's sexual aesthetics / John P. anders
Epicurus in Hamilton, St. Peter's contemplative retirement to the attic study and garden in "The professor's house" / Michael W. Price
Youth and age in the old and new worlds, Willa Cather and A. E. Housman / Elsa Nettels
Alexander's bridge, the other first novel / Loretta Wasserman
A case of influence, Paul's case and Balzac / Joan Dargan
Willa Cather's German connection, Uncle Valentine and wertherian wandering / Peter M. Sullivan.
