The putto with the Death's head.
Titian's Laocoon caricature and the Vesalian-Galenist controversy.
The "image made by chance" in Renaissance thought.
Nanni di Banco's Assumption of the virgin on the Porta della Mandorla.
Giovanni Chellini's Libro and Donatello.
The image of man in Renaissance art: from Donatello to Michelangelo.
Originality as a ground for judgment of excellence.
The equestrian monument from Cangrande della Scala to Peter the Great.
Observations on nudity in neoclassical art.
Ground plan and elevation in Masaccio's Trinity fresco.
Rodin and Carrier-Belleuse: the Vase des titans.
Donatello and the antique.
The right arm of Michelangelo's Moses.
Criteria of periodization in the history of European art.
