From the Book - First edition.
Traditonal and digital color prints, color negatives, and color slides: which products last longest?
Accelerated tests for measuring light fading, dark fading, and yellowish stain formation in color prints and films
Light fading stability of displayed color prints
The effects of print lacquers, plastic laminates, 3M Photogard, and UV-absorbing plastic filters
Dark fading and yellowish staining of color prints, transparencies, and negatives
Projector-caused fading of 35mm color slides
Monitoring the long-term fading and staining of color photographs in museum and archive collections
Color print fading and the professional portrait and wedding photographer
what to do about a troubling situation
The permanent preservation of color motion pictures
The extraordinarily stable technicolor dye-inhibition motion picture color print process (1932-1987)
Print mounting adhesives and techniques, tapes, rubber stamps, pencils, inks, and spotting methods for color and B&W prints
The handling, preservation, and conservation matting of photographs
Composition, pH, testing, and light fading stability of mount boards and other paper products used with photographs
Envelopes and sleeves for films and prints
Framing materials, storage boxes, portfolio cases, albums, cabinets, and shelves
The storage environment for photographs: relative humidity, temperature, air pollution, dust, and the prevention of fungus
Display and illumination of color and black-and-white prints
Handling and preservation of color slide collections
Frost-free refrigerators for storing color and black-and-white films and prints
Large-scale, humidity-controlled cold storage facilities for the permanent preservation of B&W and color films, prints, and motion pictures.
