Machine generated contents note: Notes on Contributors
Introduction: What can Performance Do For Us?; S.Werner
PART I: WORKING WITH THE EPHEMERAL
One Piece at a Time; R.Shaughnessy
Replaying Early Modern Performances; W.N.West
Acts of Seizure: A Theatrical Poetics of Metonymy and Metaphor; C.Cobb
PART II: BREAKING DOWN BOUNDARIES
Page and Stage Again: Rethinking Renaissance Character Phenomenologically; A.J.Hartley
Original Practices and Revolutionary Nostalgia; P.Menzer
Spreading the Shakespeare Gospel, or, The Missionary Position in Modern Performance Criticism; J.Lopez
PART III: RESITUATING SHAKESPEARE
Performance Criticism Without Performance: The Study of Non-Shakespearean Drama; G.Love
Performing Relevance: Shakespeare and Early Modern Drama on the Modern Stage; E.Smith
Shakespeare and Our Contemporaries; B.Escolme
'Ay, there's the rub': Race and Performance Studies; A.Thompson
Afterword: Performing the 'Live': Cinema, Simulation, and the Death of the Real in Alex Cox's Revengers' Tragedy; C.Lehmann
